Summer highlights from the Museum Boijmans. Rotterdam, the Netherlands.

There are three coloured styrene panels attached to the outside of the restructured section of the Boijmans, this is a narrow wing that extends as far as the Westersingel. At the end is the large Picasso sculpture. I'd love to know who made the panels – a fantastic triptych.

You can see Richard Serra’s ‘Waxing Arcs’, a work that consists of two gigantic arcs of steel that you can walk around. Their presence dominates everything in the large space - its palpable. There is a multimedia presentation that examines the work’s history and how works of art change over time. In this case, the steel has been oxidising slowly even though it is inside, in a fairly dry atmosphere. Thankfully the light projectors run at regular intervals so you can enjoy the 'arcs' without the info and visuals. That said, it is very informative.

Wall Painting No.155 (Staff) is attributed to Jan Van der Ploeg. This hard edged painted mural on the wall of a long but well lit hallway. The delightful combination of matt colours help to emphasize the architectural space that is the corridor. I like the contrast between the vertical window sections and the horizontal painted sections. The upper pink stripe almost fluoresces as if it were a length of perspex. You may want to run as you pass through and then linger at each end to take in the visual grandeur of this painting.

The Calling of St Matthew

Three Caravaggio's for the price of one at the San Luigi dei Francesi church in Rome. A wonderful experience to see the paintings in the quiet surroundings of a church and up close too. 'The Calling of St Matthew' is expertly constructed and wonderfully painted to make the most of the way that a beam of light may illuminate a scene. There seems to be some debate about who is Matthew and whilst it seems likely that he is the bearded man rather than the younger man with his eyes cast down looking at the money, perhaps it doesn't matter! Either Caravaggio has captured the moment of Matthew's calling with the realisation of this fact apparent on the face of the bearded tax collector - or, the moment is delayed whilst the younger Matthew attempts to count the cost of discipleship. I'm happy to live with either interpretation, an exquisite picture.

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Rachel Kneebone at Brighton Festival 2015

Enjoyed looking at these porcelain sculptural piles at the weekend. There are three pieces and they are sited at the University Gallery. Brighton. They are unashamedly beautiful objects fringed with sadness. Compelling in the way that Deadly Nightshade or a Vertiginous drop might be. Congratulations to Rachel Kneebone. More of her works can be seen on the white cube website.

Thinking about Jon

'Painting has always been about joy and about sorrow'

Not sure exactly when Jon wrote this but it also sums up my feelings